By Robert Gauldin
I'm in collage and wanted the booklet once attainable. The cargo used to be speedy and the ebook is actually valuable. It not just explains the subject yet supplies examples and assignments to do.
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Additional resources for A Practical Approach to Sixteenth-Century Counterpoint
II. Chord function. In common practice music, chords tend to progress in consistent, and thus predictable, patterns. Function refers to the tendency of a chord to progress to certain other chords. This system of chord relationships is called functional tonality. See also Part V, Unit 8. The tonic triad is used to initiate many progressions and is the ultimate goal for all chord progressions. III. In strict four-part writing, only the root is to be doubled at this point. IV. For voice leading in strict four-part writing, refer to Part V, Units 4 and 5, for definitions and a summary of procedures.
In strict four-part writing, only the root is to be doubled at this point. IV. For voice leading in strict four-part writing, refer to Part V, Units 4 and 5, for definitions and a summary of procedures. In chord repetition, wherever possible, keep the same spacing from one chord to the next. A. In choral voicing a change from close to open spacing or the reverse will often be preferable when an interval larger than a fourth occurs in the soprano. In keyboard voicing, however, the notes in the right hand are always kept in close position.
Are the phrases thematically or motivically related? 6. Do the phrases form a period? Of what type? Exercises 1. Resolve the following V7 chords in the given voicing. Indicate the tritone with brackets and resolve strictly, as in IV–B. 2. Resolve the following V7 chords in the given voicing. Indicate the tritone with brackets. Resolve the leading tone or chord seventh freely, whichever is appropriate, as in IV–C and IV–D. THE DOMINANT SEVENTH CHORD IN ROOT POSITION 49 50 3. Resolve the following V7 chords both strictly and freely, as indicated: 4.