Iain Stuart Abernethy's Arm-locks for All Styles PDF

By Iain Stuart Abernethy

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Additional resources for Arm-locks for All Styles

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This can be very bad news, especially if the opponent is armed or they have accomplices. Ideally, the opponent should never secure a grip on you. That said, fights are never ‘ideal’ and we need to know how to deal with all scenarios. You attempted to attack the opponent’s eyes and they countered by seizing your wrist and moving your hand away from their face 37 Arm-Locks for All Styles (Figure 8). Now that the opponent’s hand is located, you now need to gain control. Reach up with your free hand and pin the opponent’s seizing hand.

The kata then proceeds to lock the opponent’s arm, in order to drop their head, before delivering punches to the base of the opponent’s skull. Figure 31 Form H Form I Form J 47 Arm-Locks for All Styles Wrist-Lock 8 If the opponent had secured a grip on your wrist whilst your hands were up, you can strip the opponent’s hand by performing the previous technique in the opposite direction. Strike the opponent as before. Bring your striking hand back and place your forearm between your hand and the opponent’s wrist (Figure 32).

Form A Straight Arm-Lock 2 As on straight arm-lock one, your arms have clashed, you have seized the opponent’s wrist and positioned your forearm above their elbow (Figure 4). Pull the opponent’s hand to your waist as you rotate their forearm. Keep your forearm in contact with the opponent’s arm and push down and around in an arcing fashion. As you rotate the opponent’s forearm, the position of their elbow will also rotate. It is for this reason that your pushing arm must move in an arc in order to keep applying pressure to the correct point.

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